Recording Enregistrement

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Definitions

Short definition of key terms in order to provide a framework of their theoretical and disciplinary scope

Quotations

Author citations that propose consensus-building definitional elements from bibliographic sources

Perspectives

Texts written by artists and researchers, based on experiences in their field of study

Bibliography

Bibliographic citations for further reading

Definition

Defined simultaneously as the action, method, and resulting product, a recording includes the act of collecting and transcribing a sound, image, signal, or a phenomenon which is then inscribed onto a medium and made available for reading, analysis, or further transformation for artistic use.

Cite: “Recording”, Performascope: Interdisciplinary Lexicon of Performance and Research-Creation, Grenoble: Université Grenoble Alpes, 2021, [online]: http://performascope.univ-grenoble-alpes.fr/en/detail/177823

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Created : 2021-06-14.

Last modified : 2022-06-29.

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Perspective

Quotation

Bibliography

« L’important tient en ceci : durant l’enregistrement, même s’il a été pré-paramétré, l’appareil suspend la souveraineté du sujet programmateur, il l’“expose” à l’inconnu de ce qui se sera “révélé”, par le mouvement propre d’un réel qui nous échappe, sur la surface d’enregistrement. »

Yves Citton, « Le retour de l’objectivité ? », Revue des Livres, 9, 2013, p.5

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Lorraine Daston, Peter Galison, Objectivité, traduit par Sophie Renaut et Hélène Quiniou, Paris : Les Presses du réel, 2012

Robert Philip, Performing music in the age of recording, New Haven : Yale University Press, 2004

Pamela Bianchi, « Retransmettre la performance filmée : de la documentation à la présentation », Culture & Musées, 29, 2017, pp.97-116